Portrait of Egon Schiele, Austrian artist (1890-1918)

Egon Schiele

1890–1918 Austrian
Expressionism

Egon Schiele (1890-1918) was an Austrian artist whose brief, incendiary career fundamentally redirected the course of figurative representation in the early twentieth century. As a radical early exponent of Expressionism, Schiele specialized in a confrontational form of graphic intensity that set him apart from his contemporaries. Though his active period was tragically curtailed by his death in 1918, his visceral depictions of the human form left an indelible mark on modern art.

Schiele emerged from the artistic environment of the Viennese Secession, finding an influential, if occasionally uneasy, mentor in Gustav Klimt. While Klimt’s work focused on decorative opulence and symbolic eroticism, Schiele developed a fiercely independent visual language. He employed an expressive, angular line to achieve psychological rather than aesthetic truth. The resulting paintings and drawings, characterized by dramatically attenuated and twisted body shapes, were designed to convey internal anguish and vulnerability, as seen in early works like Portrait of Herbert Rainer.

Central to Schiele’s oeuvre is the theme of the self-portrait. He utilized his own body, frequently depicted nude and contorted, as the ultimate vehicle for unsettling self-examination and the exploration of raw sexuality. This unflinching approach to subject matter solidified his reputation as the uncompromising voice of Viennese angst. It is worth noting that for an artist whose thematic focus was so often chaos and exposure, Schiele maintained a remarkably disciplined, almost clerical, formal control over his drawing technique, creating a powerful tension in his output.

Schiele's powerful, emotionally charged production, including masterpieces like Standing Girl, Back View, quickly established museum-quality benchmarks for the emerging Expressionist movement. Today, his significant drawings and limited Egon Schiele paintings are held in the collections of major international institutions, including the Metropolitan Museum of Art and the National Gallery of Art. Owing to the age of the works, much of his striking graphic output is now considered public domain, allowing enthusiasts and scholars worldwide access to high-quality prints and downloadable artwork that preserves the immediate, stark power of his original vision.

Source: Wikipedia · CC BY-SA 4.0

77 works in collection

Works in Collection