Two Reclining Nudes is a definitive drawing created by Egon Schiele in 1911, executed masterfully in watercolor and graphite on paper. This period represents Schiele’s maturation into the leading figure of Austrian Expressionism, defined by his raw psychological intensity and unflinching portrayal of the human condition. The artist’s early focus often centered on the intimate and unidealized depiction of the body, a thematic concern clearly evident in this double figure study.
The composition presents two female figures positioned closely together, defined by Schiele's characteristic nervous and fractured graphite line. The angularity of the limbs and the deliberate awkwardness of the poses emphasize the emotional and physical vulnerability central to the work. The application of watercolor is not used for traditional volume or deep shadow; instead, it serves as a translucent tint, adding delicate washes of color to the skin and hair, intensifying the focus on the figure's contours against the stark white of the paper.
Schiele's groundbreaking approach to drawing redefined the depiction of female nudes in early modern art, moving away from academic idealization toward radical emotional exposure. This important drawing is part of the distinguished holdings of the Metropolitan Museum of Art. Given its age and significance, the underlying artwork often enters the public domain, allowing scholars and art enthusiasts to access high-quality reference images and facilitating the widespread availability of fine art prints for educational purposes.