Woman Reading [Donna che legge] by Umberto Boccioni, created in 1910, is a significant example of the artist's graphic work shortly before his pivotal shift toward Futurism. This piece is rendered as an etching in dark brown, surviving as a proof print. Originating from the fertile period of Italian artistic innovation spanning 1901 to 1925, the work captures a quiet, intimate subject rare in the dramatic output Boccioni would soon embrace.
Boccioni utilized the etching medium to create deep shadows and fine, textured lines, suggesting the contemplative atmosphere surrounding the subject. The emphasis on subtle tonal variation, achieved through the dark brown ink, demonstrates Boccioni’s technical skill in traditional printmaking before he began experimenting with the dynamic forms of the Futurist movement. While figures reading or engaged in solitary activity were common themes in earlier Symbolist and Post-Impressionist art, the heavy, almost block-like rendering of the figure hints at the approaching structural interests that would define Boccioni's later paintings and sculptures. The composition is focused entirely on the act of reading, offering a rare moment of stillness in the oeuvre of an artist renowned for celebrating speed and chaos.
This important proof print, an example of early 20th-century Italian graphic art, is held within the distinguished collection of the National Gallery of Art. Though known primarily for his revolutionary canvases such as Unique Forms of Continuity in Space, Boccioni’s prints offer invaluable insight into his development as an artist wrestling with the tensions between academic training and modernist innovation. The preservation and accessibility of such prints ensure that students and scholars can study his entire output. As the work resides in a major institutional collection, high-resolution reproductions are often available for study, furthering the accessibility of historical artistic documents, many of which now fall under public domain status.