Two Loves by Raphael, print, 1490-1536

Two Loves

Raphael

Year
1490-1536
Medium
engraving on laid paper
Dimensions
sheet (trimmed within platemark): 12.6 × 8.4 cm (4 15/16 × 3 5/16 in.)
Museum
National Gallery of Art

About This Artwork

The influential print, Two Loves, is a collaborative work attributed to Agostino dei Musi after a design by Raphael. Executed as an engraving on laid paper, this piece exemplifies the synergy between the High Renaissance master and a skilled reproductive printmaker. Although the specific production dates span 1490 to 1536, placing the majority of its execution in the early 16th century, the cultural and artistic foundation remains rooted in the Italian tradition of the late Quattrocento (1401 to 1500), when artists began utilizing printmaking to widely disseminate influential compositions.

Raphael, recognized as one of the pivotal figures of the Italian High Renaissance, often employed specialist engravers like Musi to translate his complex compositions into reproducible prints. This strategy allowed his innovative figurative designs, likely illustrating Neoplatonic concepts concerning the contrast between profane and sacred devotion, to reach a broad European audience rapidly. The print medium was transformative in elevating an artist’s fame and ensuring the survival and spread of their intellectual property.

Agostino dei Musi, also known as Agostino Veneziano, was instrumental in establishing this model, meticulously translating the nuances of Raphael’s original drawings into the delicate, precise lines required for the engraving process. The technical mastery evident in this work solidifies Musi’s reputation as a key intermediary, extending the influence of the master’s designs far beyond the original location of the drawing or eventual painting.

As a significant historical example of early reproductive prints documenting the Roman High Renaissance, the work holds a crucial place in art historical study. This enduring image is preserved in the comprehensive collection of the National Gallery of Art, offering insight into the collaborative methods and distribution networks that defined 16th-century visual culture. The availability of high-resolution images of this foundational print, often accessible through public domain initiatives, ensures that scholars and art enthusiasts worldwide can study the technical achievements of Musi and the influential compositions of Raphael.

Cultural & Historical Context

Classification
Print
Culture
Italian
Period
1401 to 1500

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