"Tobias and the Angel" is a drawing attributed "After Tiziano Vecellio, called Titian Italian, c. 1488-1576." Executed sometime between 1508 and 1576, this refined study exemplifies the enduring influence of the great Venetian Renaissance master, despite being created by a follower or copyist. The technique utilizes pen and black ink, combined with a delicate application of brush and gray wash on ivory laid paper. This careful mixture of linear definition and tonal shading suggests the artist was meticulously studying Titian’s compositional approach or developing a preparatory sketch intended for subsequent fine art prints.
The work captures the moment from the Book of Tobit where the young Tobias, guided by the Archangel Raphael, carries the fish whose organs are needed to restore his father’s sight. This popular religious narrative, symbolic of divine protection and filial devotion, was frequently depicted throughout the Italian High Renaissance and Mannerist periods. Although the precise original source by Titian remains debated among scholars, the powerful modeling and strong compositional balance strongly echo the sensibility of 16th-century Venetian art. The deep cultural roots of this piece in Italy reinforce its role within established traditions of devotional and narrative drawing.
Classified specifically as an Old Master drawing, this piece provides valuable insight into the working methods and artistic dissemination of compositions throughout the period. Today, similar masterworks are often placed in the public domain, allowing for widespread access and study. This drawing is a critical component of the Art Institute of Chicago collection, where it contributes to the museum's extensive holdings of Renaissance-era graphic arts.