The Prophets Hosea and Jonah by Raphael, drawing, 1510

The Prophets Hosea and Jonah

Raphael

Year
1510
Medium
pen and brown ink with brown wash over charcoal and blind stylus, heightened with white gouache and squared for transfer with blind stylus and red chalk, on laid paper
Dimensions
sheet: 26.2 × 20 cm (10 5/16 × 7 7/8 in.)
Museum
National Gallery of Art

About This Artwork

The Prophets Hosea and Jonah by Raphael is a sophisticated drawing executed around 1510, offering invaluable insight into the prolific working methods of this High Renaissance master. This complex preparatory study was created using pen and brown ink with brown wash over an initial sketch in charcoal and blind stylus, a common practice used by the leading artists of the period spanning 1501 to 1550. Raphael utilized white gouache to dramatically heighten the forms, simulating the intense chiaroscuro effect desired in the final painted work. Furthermore, the sheet is carefully squared for transfer using both blind stylus and red chalk, definitive evidence that this highly finished study was intended as a template for a larger composition, likely a fresco or panel painting.

The work, created during the zenith of the Italian Renaissance, depicts the two Old Testament figures with monumental authority and dynamic power. Both prophets are rendered in dramatic contrapposto, enveloped in heavy, swirling drapery that emphasizes their spiritual weight and energy. While the drawing is a stage in a planning process, Raphael ensures that the figures are fully realized, transforming the preparatory sketch into a singular work of art. The exceptional level of detail found here underscores the importance Raphael placed on detailed preliminary studies before committing to the demanding execution of fresco painting.

This profound example of draftsmanship resides today in the collection of the National Gallery of Art. The drawing provides crucial evidence for scholars tracing Raphael’s development and his influence on subsequent generations of artists. Due to the fragility of works on paper, the original study is rarely displayed; however, high-quality prints and digital surrogates are frequently utilized for educational purposes. Recognizing the widespread interest in such masterpieces, images of the work often enter the public domain, ensuring this pivotal moment in Italian art history remains accessible for continued study and appreciation.

Cultural & Historical Context

Classification
Drawing
Culture
Italian
Period
1501 to 1550

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