The Miraculous Draught of Fishes

The Miraculous Draught of Fishes by Raphael (Raffaello Sanzio da Urbino, 1483-1520), executed between 1504 and 1515, is a highly significant example of Renaissance prints. Although renowned primarily for his monumental frescoes and altarpieces, Raphael oversaw the dissemination of his designs through high-quality printmaking, expanding his influence far beyond Rome. This specific work utilizes the sophisticated and technically demanding medium of the chiaroscuro woodcut. This process requires multiple carved blocks to layer varying tones and hues, successfully translating the effects of light and shadow typically associated with painting into a graphic medium.

The subject illustrates the foundational New Testament narrative where Christ instructs Peter and the Apostles to cast their nets, resulting in a massive catch that confirms Peter’s faith and symbolizes the mission of the nascent Church. Raphael’s composition captures the dramatic moment of recognition and awe, emphasizing classical anatomy and dynamic movement characteristic of High Renaissance artistry in Italy.

The creation of such prints allowed Raphael’s compositions to be widely studied and admired by patrons and artists across Europe. This strategy helped cement his legacy as a central figure of the Italian Renaissance. The enduring importance of the work means that images and associated prints often fall into the public domain, ensuring widespread access for scholarship. This impressive impression of the woodcut is preserved in the esteemed collection of the Cleveland Museum of Art.