The Coiffure

"The Coiffure," created by Mary Cassatt in 1891, is a significant example of the artist’s mastery of draftsmanship. This work, classified as a drawing, utilizes the subtle textures of graphite combined with a delicate brown wash applied to wove paper. The technique emphasizes tonal relationships rather than line, suggesting a deep, volumetric quality to the subject matter.

The drawing aligns with the artistic movements of the late 19th century, fitting squarely within the 1876 to 1900 period. Although American by birth, Cassatt spent the majority of her career in Paris, becoming a key figure in the Impressionist circle. Her focus remained consistently on documenting the private, domestic lives of women and children, offering a modern perspective that eschewed sentimentality.

In this composition, Cassatt employs the brown wash to define shadow and contour, lending a contemplative seriousness to the moment captured. The technique suggests a preparatory study, potentially related to her highly regarded work in color aquatint and drypoint prints. The application of wash over graphite allows the artist to explore light and form efficiently, demonstrating her proficiency in creating depth without the use of color.

This drawing is a valued component of the extensive American collection housed at the National Gallery of Art. The work demonstrates Cassatt's dedication to capturing the contemporary female experience during the transitional decades leading up to 1900. The original studies, such as The Coiffure, continue to influence the reproductions and prints of Cassatt's work that are widely available today, often residing in the public domain for educational and artistic appreciation.