The Assumption of the Virgin is a foundational work by the Greek master, Doménikos Theotokópoulos, known as El Greco (1541–1614). Executed in oil on canvas between 1577 and 1579, this monumental painting marked the artist’s arrival in Spain and his first major commission in Toledo, serving as the altarpiece for the convent of Santo Domingo el Antiguo. The composition depicts the dramatic moment when the Virgin Mary is carried heavenward by a host of angels, observed by the astonished Apostles gathered at her tomb on earth below.
This piece successfully synthesizes the Byzantine traditions of the artist’s native Greece with the intense colorism and dynamic compositions learned during his formative years in Italy. The painting is a prime example of the late Renaissance style known as Mannerism (c. 1520–1600). Greco employed characteristic Mannerist techniques, emphasizing elongated figures, compressed space, and an emotional intensity achieved through flickering, dramatic light and highly saturated, often unnatural, colors. The composition is dynamically split, dividing the earthly plane of the Apostles from the luminous, celestial sphere, enhancing the spiritual drama. The ecstatic reactions of the Apostles are rendered with powerful individuality, displaying the artist’s innovative approach to figural grouping, a hallmark of his maturing style in Spain.
Although originally conceived for a Spanish altar, this work now resides in the permanent collection of the Art Institute of Chicago, where it serves as a powerful testament to the artist’s early achievements in Toledo. The technical mastery displayed in the work’s oil on canvas technique secured Greco’s lasting reputation. Recognized worldwide as a seminal piece from the Mannerism period, detailed photographic records and high-quality prints of the original canvas are often utilized by scholars globally. This ensures the painting remains a crucial reference point for understanding the synthesis of artistic traditions carried from Greece into the Spanish Golden Age.