The powerful print Sorrow (Kümmernis), created in 1914 by Egon Schiele; unidentified; Rikola Verlag, Verlag Neuer Graphik, Vienna, is a haunting example of early twentieth-century graphic expression. This intense work was executed using drypoint, a demanding intaglio technique where a sharp needle incises lines directly into the copper plate. The resulting burr holds the ink, lending a characteristic velvety texture to the final line work. Printed in a deep, dark green ink upon laid paper, this choice of medium and color enhances the somber, brooding mood inherent in the subject matter.
The piece emerges from a pivotal moment in Central European modernism, fitting firmly within the 1901 to 1925 timeframe. Austrian art during this period, particularly that coming out of Vienna, was characterized by an intense focus on psychological states, raw emotion, and the fragmentation of the self, themes which deeply resonate in this small print. While the specific figure depicted remains unidentified, the raw energy typical of the Expressionist movement is evident in the jagged lines and condensed composition. The print captures the period’s pervasive sense of anxiety and introspection, often rendered through distorted forms and unsettling compositions, a signature approach of the Vienna circle.
Classified specifically as a print, the technical execution of this drypoint allows for the intimate scale that distinguishes many graphic works of the era. This particular example is part of the extensive collection of the National Gallery of Art, Washington D.C., contributing to the museum’s important holdings of early modern Austrian prints. The historical significance and technical mastery of this type of charged graphic art ensure that works like Sorrow (Kümmernis) remain essential references for scholars studying Expressionist printmaking traditions. As a historical artwork, high-resolution images of these master prints are often available through public domain resources, aiding further research into the culture that defined the 1910s.