På detta Fält . . . Johannes, Markus, Matteus, Lukas (Into This Field . . . John, Mark, Matthew, Luke). Sheet 36 from the portfolio Nature Studies is a precise, meditative drawing by the pioneering Swedish abstract artist Hilma af Klint. This work, executed in pencil and ink on paper, constitutes the thirty-sixth sheet from her expansive forty-six-piece portfolio, Nature Studies. Created with remarkable specificity over just two days, May 21–22, 1920, this period drawing reflects Klint’s mature investigation into the intersections of spiritual systems, the natural world, and non-objective geometry.
The piece exemplifies the systematic method Klint employed in recording her observations of organic and spiritual phenomena. While categorized within the broader theme of Nature Studies, the specific title references the four biblical evangelists-John, Mark, Matthew, and Luke-highlighting the artist’s characteristic integration of esoteric Christian references with scientific diagrams. Klint was deeply influenced by Theosophy and Rosicrucianism, and her artistic practice sought to map the unseen structures governing life.
In this work, Klint employs delicate, controlled linear markings and subtle ink washes to build forms that suggest cellular organization, biological growth, or abstract anatomical studies. The composition often hints at symmetry and mirroring, underscoring the spiritual laws of duality and synthesis that underpinned her art. The visual lexicon developed within the Nature Studies portfolio served as a personal glossary for the artist, allowing her to process and record the complex philosophical ideas that informed her groundbreaking abstract canvases.
This exceptional drawing documents a foundational phase in modern abstraction. The persistence and rigor of the Swedish artist’s process are evident in the detailed execution of the piece. Although the majority of her abstract works remained unseen during her lifetime, Klint is now recognized globally as a key figure whose innovative non-objective art predated many of her male counterparts. This drawing, På detta Fält . . . Johannes, Markus, Matteus, Lukas, is held in the collection of the Museum of Modern Art (MoMA), ensuring its continued study alongside the history of 20th-century drawing. As high-quality prints and documentation become more available, the depth of Klint’s vision continues to reach a global audience.
Important: ArtBee makes no warranties about the copyright status of this artwork. To the best of our knowledge, based on information from the source museum, we believe this work is in the public domain.
You are responsible for determining the rights status and securing any permissions needed for your use. Copyright status may vary by jurisdiction. See our License & Usage page and Terms of Service for details.