Jane Morris by Dante Gabriel Rossetti, drawing, 1870

Jane Morris

Dante Gabriel Rossetti

Year
1870
Medium
pen and iron gall ink with brown wash on laid paper; laid down on paperboard
Dimensions
support: 17 x 21.5 cm (6 11/16 x 8 7/16 in.) mat: 27.9 x 35.6 cm (11 x 14 in.)
Museum
National Gallery of Art

About This Artwork

Jane Morris is a penetrating portrait study created by Dante Gabriel Rossetti in 1870. This significant drawing was executed using pen and iron gall ink combined with brown wash on laid paper, a demanding technique that emphasizes contour and structure rather than the lush color typically associated with his oil works. Subsequently, the sheet was laid down on paperboard for long-term stability. Dating from the period of 1851 to 1875, this drawing exemplifies the British fascination with intense psychological depth and idealized beauty characteristic of the Pre-Raphaelite movement during the High Victorian era.

Rossetti repeatedly depicted Jane Morris, the wife of William Morris, transforming her strong features, abundant dark hair, and deep-set eyes into the definitive image of Pre-Raphaelite melancholy and sensual idealization. The careful application of the brown wash allows Rossetti to sculpt the planes of her face, giving the subject a sculptural weight and an introspective focus often lacking in his more overtly symbolic compositions. Unlike the elaborate, oil-painted portraits he executed in the 1870s, this intimate drawing functions as a close, analytical study of his primary muse during a time when Rossetti’s production shifted almost exclusively toward half-length female figures.

During the latter half of the 1851 to 1875 span, Rossetti moved increasingly toward these isolated psychological images, distinguishing his later practice from the earlier narrative focus of the Pre-Raphaelite Brotherhood. This particular depiction of Jane Morris is a prime example of the British artist’s intense personal symbolism. As a crucial piece documenting the history of Victorian art, the work is preserved in the collection of the National Gallery of Art. While the original is a carefully conserved museum artifact, high-quality images and prints of this important artistic study are often available through repositories, including those offered under public domain licensing, ensuring that Rossetti’s intimate interpretation of his muse remains widely accessible for study and appreciation.

Cultural & Historical Context

Classification
Drawing
Culture
British
Period
1851 to 1875

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