Isolated Subject from the Story of Psyche

"Isolated Subject from the Story of Psyche" is an important print executed by the Master of the Die (Italian, active c. 1530-1560) after the celebrated designs of High Renaissance master Raphael (Italian, 1483-1520). Created sometime between 1527 and 1537, this work is an exemplary piece of reproductive art, showcasing the precise technical skill required for line engraving printed in black ink on paper. The practice of translating famous frescoes or paintings into reproducible prints was crucial for disseminating the style of artists like Raphael across Italy and beyond.

The subject matter, relating to the classical myth of Cupid and Psyche, derives specifically from Raphael’s famed cycles, most notably the Loggia di Psyche at the Villa Farnesina in Rome. While the original composition provided broad context, Die isolated a single figure or detail, shifting the focus to anatomical study and mastery of form. This emphasis reflects the Mannerist trend emerging in Italy during this period, prioritizing technical virtuosity and dramatic interpretation over pure High Renaissance balance.

The quality of this impression ensures that works produced by Die remain highly valued as references for Raphael's influential compositions. Classified simply as a print, the piece offers insight into 16th-century visual culture and the critical role reproductive artists played in art historical circulation. It is held in the permanent collection of the Art Institute of Chicago, where it contributes to their comprehensive holdings of Italian masterworks. Because the underlying image is derived from historical designs, high-resolution prints of this foundational artwork are often made available through public domain initiatives for further study and appreciation.