Design for an Equestrian Statue of Henry II of France

The Design for an Equestrian Statue of Henry II of France by Michelangelo, executed between 1559 and 1564, is a powerful example of preparatory architectural and sculptural planning from the late Renaissance master. Created using chalk on paper, the work showcases Michelangelo’s skill in modeling form through line and shadow, characteristic of his mature drawing style. This specific piece, classified as a Drawing, was intended to visualize a monumental bronze sculpture honoring the recently deceased French King Henry II, who died in 1559.

The period of creation places this design late in the artist’s life, demonstrating his continued engagement with grand sculptural commissions even towards the end of his career. Equestrian statues were the pinnacle of commemorative public art, and this design captures the dynamic, heroic posture appropriate for a deceased monarch. Michelangelo envisioned Henry II mounted atop a powerfully muscled horse, suggesting movement and command. The drawing emphasizes the scale and weight necessary for such an imposing public monument, which follows precedents established by classical Roman sculpture.

Though the statue itself was never realized by Michelangelo, the drawing provides critical insight into his conceptual approach to large-scale memorials. This historical importance ensures that prints and reproductions of the work are frequently consulted for scholarly reference and are available through public domain initiatives. This significant piece of preparatory art is maintained in the collection of the Rijksmuseum, contributing substantially to the museum's holdings of Renaissance drawings.