Before the Fireplace (No. 1)

Before the Fireplace (No. 1) is a significant print created by Mary Cassatt in 1882. This work utilizes the complex processes of softground etching and aquatint, applied expertly to wove paper. This combination of techniques allowed Cassatt to achieve varied tonal depth and texture, moving beyond the strictly linear precision typically associated with traditional etching. The softground method, in particular, enabled the artist to replicate the delicate effects of a graphite or chalk drawing, softening the contours of the composition.

Created during a pivotal moment in graphic arts history, falling within the period of 1876 to 1900, this piece reflects the growing interest among Impressionists in exploring alternative printmaking processes as a means of broadening artistic expression. Cassatt, an expatriate American artist and the only female American officially accepted by the Parisian Impressionist circle, was renowned for her insightful depictions of contemporary, intimate domestic life. Although the figure remains unseen, the title strongly suggests a scene focused on a woman or child situated near a fireplace, a recurring and essential motif in Cassatt's oeuvre used to explore themes of modern femininity and private, interior space.

The subtle blending of tones achieved through the aquatint process highlights the implied light source, suggesting the warmth and quiet contemplation often associated with an evening scene. The successful creation of such technically refined prints demonstrates Cassatt’s profound commitment to graphic arts alongside her celebrated painting practice. As one of the most important American artists of the era, Cassatt’s works, such as Before the Fireplace (No. 1), remain highly studied for their technical mastery and pioneering portrayal of daily life. This particular impression is part of the distinguished collection held by the National Gallery of Art, where it serves as an outstanding example of innovative printmaking during the late 19th century.