Zittende vrouw (Seated Woman) is an early, intimate print on paper created by Claude Lorrain between 1630 and 1633. Although Claude Lorrain is primarily celebrated as the definitive master of the idealized classical landscape, this work demonstrates his proficiency in figure study and draftsmanship. Created during the critical decade when the artist was establishing his enduring career in Rome, this piece offers insight into his process of observation, focusing intently on the human form.
Unlike the monumental, atmospheric canvases that established Lorrain’s reputation, this print is a focused investigation into the seated pose and the dramatic fall of heavy drapery. Such figure studies were essential training for Baroque artists, providing foundational elements necessary for populating grander narrative scenes, whether mythological or biblical, within his signature arcadian settings.
The technical execution of the print underscores Lorrain’s skill in rendering volume and texture using lines on paper. While often overlooked compared to his celebrated paintings, figure studies like Zittende vrouw are vital documents of his overall artistic methodology. This specific impression is preserved within the distinguished collection of the Rijksmuseum in Amsterdam. As a historical piece, high-quality images and prints of this figure study are frequently available through public domain initiatives, ensuring its continued accessibility for scholars of 17th-century European draftsmanship.