Yvette Guilbert

The influential post-impressionist Henri de Toulouse-Lautrec French, 1864-1901 created the portrait Yvette Guilbert in 1894. This work, classified as a print, is a sophisticated color lithograph executed on ivory laid paper. Lautrec, renowned for his innovative use of graphic arts to capture the vibrant, often raw energy of Parisian life, often utilized the lithographic process for its ability to produce rich, saturated colors suitable for posters and mass distribution. The unique texture and finish of the ivory laid paper enhance the delicate tonal gradations characteristic of his printing methods.

The subject, Yvette Guilbert, was one of the most celebrated and instantly recognizable entertainers of the Belle Époque. A defining figure in the cabarets and music halls of Montmartre, Guilbert was known for her distinctive stage presence, especially her elongated silhouette and trademark long black gloves. Toulouse-Lautrec developed a close artistic relationship with the performer, portraying her numerous times, emphasizing her theatricality and powerful character through sharp, economical lines. His prints from this period offer an invaluable visual document of the cultural shift occurring in France during the late nineteenth century, focusing primarily on marginalized figures and the theater world.

This particular impression, dating from 1894, demonstrates Lautrec’s mastery of line and character study, moving beyond simple caricature toward a deeply observed psychological portrait. Today, this iconic image is preserved in the esteemed collection of the Art Institute of Chicago, where it serves as a central example of turn-of-the-century graphic arts. The widespread appeal and historical importance of such works mean that high-quality prints and reproductions are often made available through public domain initiatives, ensuring the legacy of this French master endures globally.