Young Man in a Turban

The painting Young Man in a Turban is attributed to a Follower of Rembrandt van Rijn (Dutch, 1606–1669), executed in oil on panel sometime between 1645 and 1655. This important piece originates from the Netherlands during the vibrant artistic environment of the 17th century, often termed the Dutch Golden Age. It currently resides in the esteemed permanent collection of the Art Institute of Chicago.

The subject is depicted in a half-length pose, dramatically dressed in garments and headwear that suggest an interest in exotic or historical costuming, particularly the detailed turban. This approach aligns the work with the character study, or tronie, a genre popularized by Rijn and his active studio. Although the specific identity of the sitter remains unknown, the piece exemplifies the high demand for compelling, evocative characterizations characteristic of Dutch painting during this era. The artist demonstrates a meticulous skill in rendering the textures of the fabric against the subtle expression of the young man. Due to its historical significance, the institution facilitates broad sharing, ensuring that high-quality prints and reproductions are readily available.

The medium of oil on panel allows for a smooth, detailed surface and rich, modulated color application. The follower demonstrates a mastery of the dramatic lighting effects associated with Rijn, employing strong contrasts of light and shadow, a technique often referred to as tenebrism. This internal focus on illumination draws the viewer’s attention sharply toward the face and the elaborate headwear. As an example from the master’s circle, the piece helps scholars understand the broad proliferation of Rijn’s characteristic style among his contemporaries and pupils throughout the 1640s and 1650s. Today, many digital versions of the work are distributed under public domain agreements, allowing researchers and enthusiasts worldwide to access and study this significant 17th-century painting.