Yo lo vi (I Saw It)

Yo lo vi (I Saw It) by Francisco Goya is a profound example of Spanish graphic art, created using the complex intaglio techniques of etching, drypoint, and burin. Though Goya died in 1828, this print was published posthumously in 1863, placing its circulation firmly within the 1851 to 1875 period. This date of publication underscores the enduring relevance of Goya’s often unsettling visual commentary long after the artist’s death.

Goya utilized the combined techniques masterfully to achieve rich textural and tonal variation. Etching provided the structure of the composition, while drypoint work, characterized by the rich, velvety burr left by the needle, gave depth to the shadows and dramatic intensity to the figures. The inclusion of burin likely sharpened specific details or strengthened lines that required precise control.

This print reflects the themes frequently explored in Goya’s late graphic output, which often critiques contemporary society, superstition, and the grim realities of conflict or injustice. The title itself suggests a direct, personal observation by the artist, characteristic of his commitment to documenting the psychological landscape of his era.

This historically important piece is housed in the collection of the National Gallery of Art. The enduring popularity of these powerful images ensures that high-quality prints remain widely studied by scholars today. As much of Goya’s graphic work from this era now falls into the public domain, art historians and enthusiasts worldwide can access and analyze the intricate details of this work, cementing the Spanish master’s influence on subsequent generations of printmakers.