Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir") by Pierre-Auguste Renoir, drawing, 1877-1878

Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir")

Pierre-Auguste Renoir

Year
1877-1878
Medium
Pen and brown ink, over black chalk, on ivory laid paper
Dimensions
27.5 × 39.9 cm (10 7/8 × 15 3/4 in.)
Museum
Art Institute of Chicago

About This Artwork

Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir") is a significant drawing created by the renowned French artist Pierre Auguste Renoir (1841-1919) between 1877 and 1878. This work is a direct visual reference to Émile Zola’s naturalist masterpiece, L'Assommoir (The Dram Shop, 1877), which chronicled the harsh realities of working-class life in 19th-century Paris. The drawing, classified formally as a study, was executed with precision using pen and brown ink applied over an initial sketch in black chalk upon ivory laid paper. This careful layering suggests Renoir intended this piece either as a preparatory study or a detailed illustration ready for potential print reproduction.

The subject matter, featuring figures located on the city's perimeter, aligns the work with the growing societal focus on marginalized populations depicted in Zola’s literature. The scene contrasts slightly with the purely idealized scenes of leisure often associated with Renoir’s celebrated oil paintings from the same decade. Nevertheless, the energetic handling of the line and the observational quality of the figures firmly place the work within the stylistic parameters of the Impressionism movement (c. 1860-1890s) in France. Renoir’s command of rapid sketch techniques is evident in the confident definition of the figures and their setting, capturing a fleeting moment of daily life outside the inner boulevards.

This detailed illustration provides valuable insight into the cross-pollination between the visual arts and literature during the later 19th century. The piece is currently preserved in the collection of the Art Institute of Chicago, where it serves as a key document of Renoir’s draftsmanship and his engagements with contemporary Parisian social realism. Due to its historical significance and the artist’s prominence, this masterwork often enters the category of public domain art, making high-resolution images and fine art prints available worldwide for scholarly study and appreciation.

Cultural & Historical Context

Classification
Drawing
Culture
France
Period
Impressionism (c. 1860–1890s)

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