"Women Tossing the Hay," created in 1890 by Camille Pissarro French, 1830-1903, is a compelling example of the artist's intense focus on rural labor and his dedication to the technical craft of printmaking during his later career. This particular impression is an etching, meticulously executed in dark brown ink on cream laid paper. While Pissarro is internationally known for his light-drenched Impressionist canvases, the 1880s and 1890s saw him dedicate extensive time to graphic works, finding in the structured lines of etching a way to render the subject matter of the countryside with profound detail.
The composition focuses on the demanding physical effort inherent in agriculture across France. The figures are positioned actively, their bodies either bent or stretched in the coordinated motion of lifting and distributing the heavy hay. Pissarro often elevated the common working person, lending dignity and monumental status to those engaged in essential, yet frequently overlooked, rural tasks. This sympathetic portrayal aligns with the social consciousness and concern for the working class that marked the artist’s political sensibilities during this period.
As a print, the work demonstrates Pissarro’s comprehensive mastery of line and tone, utilizing the etched plate to achieve a balanced interplay between the figures and the field surrounding them. This significant image, classified as a Print, provides valuable insight into the technical complexity of his graphic output. It resides today within the permanent collection of the Art Institute of Chicago, contributing to the historical understanding of late 19th-century French art, and joining numerous other important works increasingly available through public domain initiatives.