Woman Reclining on Her Bed

The work Woman Reclining on Her Bed by Edgar Degas (French, 1834-1917) is a compelling example of the artist’s graphic experiments, dating from the height of his career, approximately 1880-1890. This print was executed using the demanding monotype technique, involving black ink applied directly onto a metal plate before being transferred onto ivory laid paper. This process, which yields a single, non-repeatable impression, allowed Degas to achieve effects of dramatic shadow and spontaneous gesture that were often impossible in traditional etching or lithography.

During the late 19th century in France, Degas became increasingly dedicated to depicting intimate, unposed moments from the private lives of women, often focusing on figures bathing, dressing, or, in this case, resting. Unlike academic or public genre scenes, this work emphasizes the confined domestic space of the bedroom, transforming the subject through stark contrasts of light and dark. The bold lines and heavily saturated black ink create a sense of deep, almost suffocating shadow, isolating the reclining figure and intensifying the quiet introspection of the scene.

Degas's fascination with monotype as a medium reflects his continuous drive for innovation and his role in redefining modern printmaking. While Impressionism traditionally focused on light and color, these graphic pieces delve into psychological depth using pure line and tone. This powerful print is a key highlight in the Art Institute of Chicago’s collection, demonstrating the mastery of Degas within the French artistic environment of the time.