Woman from the Villa Borghese by Jacques-Louis David, drawing, 1775-1780

Woman from the Villa Borghese

Jacques-Louis David

Year
1775-1780
Medium
brown ink with gray wash over graphite on laid paper, partly stained with oil
Dimensions
overall: 21.2 x 14 cm (8 3/8 x 5 1/2 in.)
Museum
National Gallery of Art

About This Artwork

Woman from the Villa Borghese, created by Jacques-Louis David between 1775 and 1780, is a masterful example of French drawing capturing the artistic spirit of the transitionary period loosely defined as 1751 to 1775. This preparatory study, executed on laid paper, demonstrates David's meticulous technique using brown ink and gray wash over an initial graphite sketch. The piece is notably detailed, particularly in its handling of drapery and the subtle facial expressions of the subject, although areas of the composition appear characteristically unfinished, suggesting its primary role as a study or foundational element for a subsequent painting. The paper itself bears historical evidence of its life, being partly stained with oil.

The creation of this drawing is typically associated with David’s crucial first sojourn in Rome (1775-1780), where he immersed himself in the study of classical antiquity and Renaissance drawing techniques. This environment allowed him to move beyond the Rococo styles popular in French culture and begin developing the rigorous formal language that would define Neoclassicism. While the subject's identity remains speculative, the classical dignity with which she is rendered is appropriate for the alleged setting referenced in the title, the Villa Borghese. The skillful application of the gray wash creates dramatic tonal contrast, effectively defining the volumetric form of the figure and suggesting the strong, directional lighting characteristic of works influenced by Caravaggio.

As an essential document of the artist's formative years, this study offers critical insight into David's development before the creation of his most famous monumental canvases. This rare drawing is a key part of the permanent collection at the National Gallery of Art. Due to its historical significance and the artist’s prominence, high-quality prints and reproductions of this early David drawing are often made available through public domain initiatives, ensuring broad scholarly access to foundational works produced during the profound era of 1751 to 1775.

Cultural & Historical Context

Classification
Drawing
Culture
French
Period
1751 to 1775

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