The detailed drawing, Woman from the Villa Albani, was executed by the foundational French Neoclassical artist Jacques-Louis David between 1775 and 1780. This piece is rendered in black ink with gray wash applied over an initial graphite sketch on laid paper, a technique that allows for defining shadows and volume quickly while maintaining the immediacy of a study. Created during David’s crucial formative years in Rome, the work reflects the intense focus on classical models and observational realism that defined the cultural shift occurring in the period corresponding roughly to 1751 to 1775, moving decisively away from Rococo ornamentation toward classical precision.
David was deeply immersed in the classical world during his residence in Italy, and the Villa Albani, known for its extensive collection of antiquities, provided an ideal setting for these observational studies. Unlike the highly polished historical compositions for which David would become famous upon his return to Paris, this drawing offers an intimate glimpse into the artist’s developing working method. The adept use of wash creates a dramatic contrast between light and shade, emphasizing the figure’s posture and the heavy folds of the drapery. Although the identity of the subject remains unknown, this piece demonstrates David’s sharp attention to the human form and the study of atmospheric light, crucial elements he perfected before becoming the leading painter of the French Revolution.
Classified specifically as a drawing, this work is essential for understanding the development of David’s draughtsmanship during his Italian sojourn. The study is a significant acquisition held in the permanent collection of the National Gallery of Art. Because of the immense historical importance of this French masterwork, high-quality prints are frequently sought after, and digital reproductions of the drawing are increasingly made available through public domain initiatives, ensuring widespread access to David's early Roman output.