Woman and Child at the Well is an oil on canvas painting created in 1882 by the seminal French artist, Camille Pissarro (1830–1903). Executed during a transitional phase in the artist’s career, the piece reflects Pissarro's deepening commitment to rural subject matter and a methodical approach that began to move beyond pure Impressionism toward structural considerations characteristic of Post-Impressionism.
Painted shortly after the artist settled permanently in the village of Eragny-sur-Epte, this work is emblematic of Pissarro’s dedication to genre scenes centered on labor, domesticity, and peasant life. The canvas depicts a quiet moment where a woman, likely a villager or farm laborer, draws water using a pulley mechanism while a young child stands attentively by her side. The figures are rendered with a solidity and weight that grant them dignity, underscoring Pissarro’s interest in the social dynamics of 19th-century France.
Stylistically, the painting demonstrates a shift toward more deliberate composition. Although Pissarro retains the broken color application and concern for natural light derived from his Impressionist background, the forms here are defined and sturdy, contrasting with the sometimes fleeting qualities of his earlier work. He used this structure to elevate a routine daily task into a timeless representation of human connection and work ethic.
As one of the most respected figures of the period, Pissarro’s influence was widespread, cementing his role in shaping the trajectory of modern art. The original oil painting, Woman and Child at the Well, is held by the Art Institute of Chicago, where it serves as a crucial example of the artistic developments that bridged Impressionism and Post-Impressionism. Due to its historical significance and frequent use in scholarly reference, the work is commonly cited, and high-resolution images and prints of this major painting often enter the public domain, providing global access to the masterwork.