Winter

The engraving Winter by Nicolas Poussin (1680-1756) is a powerful example of 17th-century classical art rendered through the reproductive print medium. This work, held in the collection of the Metropolitan Museum of Art, exemplifies the profound influence of the French master on subsequent generations of printmakers who disseminated his compositions widely.

This particular print likely represents Poussin’s dramatic interpretation of the Great Flood, often associated with the winter season in his iconic Four Seasons series. The composition is characterized by intense narrative chaos, showing the devastating impact of nature upon humanity and animals alike. Desperate figures are depicted struggling against overwhelming water: women are shown protecting their infants, while others attempt to reach the relative safety of a small boat. The scene underscores the indiscriminate nature of the disaster, with horses struggling in the rising water and unsettling details, such as snakes emerging from the gloom, heightening the tension.

Poussin’s original design adhered rigorously to Classical ideals, utilizing complex figurative arrangements and controlled drama even when depicting profound tragedy. As an engraving, this work allowed for the broader distribution of the artist's inventive compositions throughout Europe, facilitating the study of his influential style long after his death. This important piece remains a foundational example in the study of classical prints, and due to its age and prominence, high-quality images of this masterwork are widely available in the public domain for research and appreciation.