William Hogarth, Serjeant Painter to His Majesty is a significant print created by William Hogarth in 1764. This work, classified as an original print, utilizes the combined techniques of etching and engraving to achieve its rich textural detail and deep shadows. Crucially, this impression represents the seventh and final state recorded, reflecting the careful revisions Hogarth often undertook late in his prolific career to perfect the tonal contrasts and line quality of his graphic output.
The composition functions as a professional self-depiction, showing the man who had attained one of the most prestigious artistic appointments in 18th-century Britain. Hogarth is presented as a distinguished figure, surrounded by the essential tools of his trade. The image prominently features a towering easel and a canvas, emphasizing the core practice of painting. Closer observation reveals a palette and various brushes arrayed nearby, defining his identity not merely as a satirical printmaker, but as a respected fine artist and official Serjeant Painter to the King.
This late work is highly valued for providing insight into Hogarth’s self-conception as an accomplished professional. This historical etching and engraving is held within the renowned collection of the Metropolitan Museum of Art, preserving a vital document of British art history. As a major example of Hogarth's celebrated body of prints, its status as a widely recognized public domain image ensures its continued study and appreciation globally.
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