Vijfde en zesde span paarden met allegorieën

Vijfde en zesde span paarden met allegorieën by Albrecht Dürer is a complex print created in 1523. Executed on paper, this work showcases the German Renaissance master's ongoing interest in anatomy, proportion, and classical forms, particularly relating to equine subjects. The composition focuses on two distinct "spans" or groupings of horses, rendered with the precise draftsmanship characteristic of Dürer's graphic output. This study of the idealized horse form was central to Dürer’s theoretical investigations into beauty and mathematical harmony, reflecting the intellectual curiosity that defined the Northern Renaissance.

Dürer utilized the detailed clarity afforded by printmaking techniques to widely disseminate his theoretical studies, often combining rigorous observation with symbolic elements. The title's reference to allegories suggests that this piece functioned not merely as an anatomical drawing but as a commentary on virtues, vices, or the ideal human and animal condition, a common thematic exploration for the period. As one of the most influential producers of prints in his era, Dürer’s work set high standards for graphic artistry across Europe.

Dating to the apex of Dürer’s career, this piece reflects his mature style, balancing highly realistic forms with complex intellectual concepts. The quality and preservation of this print demonstrate its significance within the broader study of 16th-century European art. This important work is held in the renowned collection of the Rijksmuseum, where it contributes to the museum’s comprehensive holdings of Northern European masters. Because of its age and profound cultural impact, high-resolution images of Dürer's influential prints, including this image, are frequently available for study through public domain resources.