Vignette next to "In Two" (Vignette bei "Der Riss") (headpiece, folio 32 verso) from Klänge (Sounds) by Wassily Kandinsky, illustrated book, 1913

Vignette next to "In Two" (Vignette bei "Der Riss") (headpiece, folio 32 verso) from Klänge (Sounds)

Wassily Kandinsky

Year
1913
Medium
Woodcut from an illustrated book with fifty-six woodcuts
Dimensions
composition (irreg.): 2 1/2 x 3 1/8" (6.3 x 7.9 cm); page: 11 1/16 x 10 7/8" (28.1 x 27.7 cm)
Museum
Other

About This Artwork

Vignette next to "In Two" (Vignette bei "Der Riss") (headpiece, folio 32 verso) from Klänge (Sounds) is a seminal woodcut created by Vasily Kandinsky in 1913. This graphic work is one of fifty-six prints contained within the artist's landmark illustrated book, Klänge (Sounds), a pivotal publication that documented Kandinsky’s swift transition toward pure, non-objective art. The specific print functions as a headpiece within the folio structure, visually complementing the experimental poetry Kandinsky composed for the volume.

The 1913 date places this work at the zenith of Kandinsky’s pioneering efforts in abstraction, just as he was formulating the spiritual and formal concepts detailed in his theoretical writings. The choice of the woodcut medium allows for maximum graphic power, emphasizing stark, rhythmic lines and fields of black and white that convey movement and spiritual agitation without relying on narrative subject matter. Unlike the rich color palettes of his contemporary paintings, the severe restraint of the print technique forces the viewer to focus entirely on the energy and composition of the abstract forms.

Though Kandinsky was Russian, the impact and exhibition of this illustrated book were deeply intertwined with international movements, including the highly influential French avant-garde circles of the period. Classified specifically as an Illustrated Book, Klänge became a crucial synthesis of art and literature, pushing the boundaries of what a modern graphic portfolio could achieve.

The work embodies Kandinsky's belief in the 'inner necessity' of art, manifesting his internal psychological state through form and structure. As a vital example of early 20th-century modernism and abstract expression, this significant print is preserved in the collection of the Museum of Modern Art, where it is referenced as a key document of the artist's pivotal shift toward abstraction during the influential 1913 period.

Cultural & Historical Context

Classification
Illustrated Book
Culture
French
Period
(1913)

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