Vignette next to "Different" (Vignette bei "Anders") (headpiece, folio 34) from Klänge (Sounds) by Wassily Kandinsky, illustrated book, 1913

Vignette next to "Different" (Vignette bei "Anders") (headpiece, folio 34) from Klänge (Sounds)

Wassily Kandinsky

Year
1913
Medium
Woodcut from an illustrated book with fifty-six woodcuts
Dimensions
composition: 2 5/16 x 3 7/16" (5.9 x 8.7 cm); page: 11 1/16 x 10 7/8" (28.1 x 27.7 cm)
Museum
Other

About This Artwork

Vignette next to "Different" (Vignette bei "Anders") (headpiece, folio 34) from Klänge (Sounds) by Vasily Kandinsky is a crucial example of early abstract expressionism realized in the demanding medium of the woodcut. Created in 1913, this work is one of fifty-six woodcuts contained within the seminal illustrated book, Klänge (Sounds). The publication, which combined Kandinsky’s poetry and prose with his highly innovative imagery, served as a comprehensive visual and philosophical manifesto for the artist's developing theories on color, sound, and the spiritual necessity of abstraction.

The choice of woodcut, a medium traditionally associated with bold graphic impact, allowed Kandinsky to achieve the sharp, dynamic contrasts characteristic of his burgeoning non-objective style. Unlike his large-scale oil paintings of the period, this particular vignette, designed as a headpiece for folio 34, features dense, energetic lines and highly simplified, almost illegible forms. The stark black and white execution emphasizes rhythmic structure and visual movement, challenging traditional illustrative expectations and prioritizing emotional resonance over descriptive representation. This classification as an illustrated book highlights the importance Kandinsky placed on integrating art with typography and literary elements, striving toward the concept of the Gesamtkunstwerk (total work of art).

Though Russian by birth, Kandinsky was deeply involved in the French and German avant-garde circles, and the culture of publishing around 1913 was pivotal to disseminating these modernist ideas globally. The production of these powerful prints marks a definitive moment when Kandinsky fully embraced non-representation, moving away from Symbolist roots toward pure abstraction. This piece, along with the complete volume of Klänge, is held in the collection of the Museum of Modern Art, New York. Access to high-quality prints and archival records ensures that this foundational moment in 20th-century art history remains accessible for scholarly study.

Cultural & Historical Context

Classification
Illustrated Book
Culture
French
Period
(1913)

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