The delicate drawing View of Marino (recto) was executed by Jean Baptiste Camille Corot in 1827. Created solely in graphite, this preparatory sketch captures a precise scene near the village of Marino, a location in the Alban Hills south of Rome that was highly favored by French artists during their Italian residency. Corot, a central figure in 19th-century French landscape painting, used drawing extensively to rigorously study structure, light, and atmospheric effects while abroad. This particular work exemplifies his early, precise draughtsmanship, where he focused on defining architectural elements and the contours of the terrain using careful tonal hatching rather than loose generalization.
The year 1827 marks a critical period for Corot, as his Italian sojourn was essential for developing his mature artistic style. This immediate study from nature, rooted in the classical tradition of landscape observation, reveals the foundational methods the artist used to translate direct observation into enduring compositions. As a quintessential example of early Romantic era French artistic practice abroad, this piece provides valuable insight into the rigorous education of a master landscape painter. This original drawing is preserved within the esteemed collection of the Cleveland Museum of Art. Due to its historical significance, the image is often made available for study, allowing researchers and students to acquire high-quality prints for educational purposes, reflecting the ongoing commitment to accessibility within the public domain.
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