Various Sketches

Various Sketches by Jean François Millet French, 1814-1875, is a significant example of the artist's early graphic exploration. Executed between 1842 and 1852, this print utilized the demanding techniques of etching and drypoint. Unusually, the work is rendered upon ivory laid ledger paper, distinctively hand-ruled in reddish-brown ink, suggesting that scrap or repurposed preparatory material was used for these detailed studies. This choice of substrate provides a unique texture and context for the classification of this specific piece as a print.

As a prominent figure associated with the Barbizon School, Millet’s output centered largely on the realistic depiction of peasant laborers and rural existence in 19th-century France. Although titled simply Various Sketches, the piece offers insight into the formative stages of his artistic process, capturing disparate figures or studies potentially meant for inclusion in larger compositions focusing on genre scenes. The versatility demonstrated by Millet in handling the needle for these delicate drypoint prints reveals his deep commitment to graphic arts beyond his celebrated oil paintings.

The period 1842-1852 was crucial for the evolution of the artist's style, and these rapid studies capture the spontaneity inherent in preparatory drawing. This unique work is held in the permanent collection of the Art Institute of Chicago, offering scholars access to a valuable example of French mid-century realism. As this historical work currently falls within the public domain, it remains an accessible reference point for studying the refinement of Millet’s technical skill and subject matter during his productive period.