Untitled from Ten Dancers (Dix Danseuses) by Henri Matisse is a singular work created in 1927, forming one part of a significant portfolio of ten lithographs dedicated to the theme of dance and the moving figure. This era marked a highly productive period for the French artist, who had increasingly returned to utilizing graphic arts, particularly printmaking, to explore the fluid contours of the human body without the constraints of color or detailed volume. As a lithograph, the piece showcases Matisse’s exceptional control over line, favoring simplicity and essential, dynamic form.
The subject of the dancer was central to Matisse’s output in the late 1920s, reflecting a broader Neoclassical tendency in European art following World War I. This particular print features an abstracted figure captured in motion, defined by strong, sweeping lines that convey energy and grace. Matisse uses the white space of the paper not merely as a background but as an active element that contrasts sharply with the precise black line of the drawing tool, emphasizing the dynamic silhouette of the form. The decision by the French master to focus on the dancer relates closely to his concurrent studies of the female figure, often depicting subjects in rhythmic or classical poses that blend observation with abstraction.
This piece, classified specifically as a print, exemplifies the elegance and economy of means that Matisse achieved in his graphic works. The portfolio Ten Dancers (Dix Danseuses) represents a key moment in the artist's mature engagement with linear abstraction. It is currently held in the collection of the Museum of Modern Art (MoMA), ensuring its continued study and preservation. Although created in 1927, the clarity and timeless quality of these images have ensured their widespread study; high-quality fine art prints derived from the original works allow global audiences to appreciate the mastery of Matisse's graphic technique.