Untitled from Ten Dancers (Dix Danseuses) by Henri Matisse is one of ten distinct lithographs executed by the celebrated French artist in 1927. This print portfolio represents a significant moment in Matisse’s prolific exploration of the human form, specifically focusing on the dancer as a subject of movement and expressive line. As a master of graphic arts, Matisse utilized the lithography medium to capture form with a unique balance of spontaneity and precision.
The work’s subject matter centers on the isolated human figure, utilizing minimalist, decisive contours to define the dancer’s pose. Matisse prioritized the elegant silhouette and the relationship between positive and negative space, avoiding excessive detail or heavy shading. This approach is characteristic of his work from the mid-1920s, often referred to as his Nice period, where figural studies dominated his output. The medium of prints allowed Matisse to achieve a fluid, calligraphic quality, lending the composition the immediate energy often found in preliminary sketches while maintaining the polished finish of a completed masterwork. The resulting image is a study in rhythm, equilibrium, and the classical ideal of the nude or semi-nude figure in motion.
Executed within the traditions of modern French art, the portfolio Dix Danseuses stands as a crucial example of the artist's dedication to linear economy. The high technical quality of these lithographs solidifies Matisse’s reputation not only as a painter but also as one of the century's most innovative printmakers. This singular piece from the influential 1927 collection is held within the renowned collection of the Museum of Modern Art (MoMA), where it continues to serve as an important reference for the study of 20th-century graphic arts.