Ulysses, painted by Jean-Auguste-Dominique Ingres in 1827, is a significant work from the French Neoclassical master’s mature period. Executed in oil on canvas mounted on wood, the technique highlights the smooth, refined surfaces characteristic of Ingres's exacting style, prioritizing line and form over dramatic brushwork.
This painting falls squarely within the period spanning 1826 to 1850, a transitional era in French art marked by the persistent tension between the rigorous tradition of Neoclassicism and the emerging drama of Romanticism. Ingres, a staunch defender of classical draftsmanship (dessin), utilized his profound knowledge of Greco-Roman antiquity to reimagine mythological narratives. The subject, focusing on the celebrated Greek hero Ulysses (Odysseus), allows Ingres to explore themes of heroism, travel, or homecoming central to Homeric epic.
The careful composition and precise modeling reflect Ingres’s unwavering commitment to historical painting, a genre he believed superior to portraiture or landscape. This artistic philosophy defined his career and placed him at the heart of academic tradition. The subtle coloration and focused lighting draw the viewer toward the narrative moment, emphasizing the psychological depth often sought in 19th-century history painting. As a major French work created during the height of the Neoclassical revival, the canvas serves as a definitive example of the artist's dedication to classical sources and technical perfection.
The piece resides in the permanent collection of the National Gallery of Art. Due to its historical significance, the painting is highly reproduced, and high-quality prints and digital reproductions are frequently made available through public domain initiatives, allowing global access to this pivotal work by Ingres.