Two Women on the Shore (To kvinner ved stranden) by Edvard Munch is a highly influential woodcut created in 1898, a period when the Norwegian artist was fully exploring printmaking as a primary medium for conveying complex emotional states. This significant early modern print is housed in the collection of the Museum of Modern Art (MoMA).
Munch’s approach to the woodcut technique was innovative and revolutionary for the late nineteenth century. He treated the wooden block less as a surface for delicate engraving and more as a source for raw, expressive power, allowing the natural grain of the wood to become an integrated element of the final composition. Often, Munch employed a 'jigsaw' method, cutting the block into separate pieces which could then be inked individually and reassembled for printing, producing distinct, heavily outlined fields of color. This method intensified the psychological impact of his works, focusing the viewer’s attention on simplified forms and stark contrasts rather than intricate detail.
This 1898 work exemplifies the graphic power that became a hallmark of Munch’s extensive print output. While the composition of the woodcut Two Women on the Shore is simplified, it captures the melancholic atmosphere associated with much of Munch's art from this era. The two female figures, positioned against the expansive, often barren coastal setting common in Norwegian landscapes, hint at themes of loneliness, duality, or introspection that frequently occupied the artist’s mind.
The dissemination of prints like this piece was crucial for establishing Munch’s international reputation, cementing his status as a central figure in the rise of early Expressionism. The enduring appeal and relative rarity of Munch’s original prints, combined with the availability of high-quality reproductions through public domain initiatives, ensure that this key image remains a fundamental reference point in the study of modern graphic arts. This impression continues to serve as an important cornerstone in the Museum of Modern Art’s holdings of European modernism.