The delicate drawing, Two Putti with Lamb, is attributed to the School of Leonardo da Vinci Italian, 1452-1519. This nuanced study was created using pen and brown ink applied over initial sketches in red chalk. The choice of materials highlights the preparatory nature of the work, executed on cream laid paper, which was subsequently laid down on ivory wove paper for presentation or preservation.
The subject depicts two putti, classical cherubic figures, interacting affectionately with a lamb, a common motif symbolizing innocence and often sacrifice in religious iconography. While the specific dating spans nearly three centuries (1472-1799), the foundational style clearly reflects the pervasive influence of the master, 1452-1519. The composition showcases the soft modeling and detailed anatomy characteristic of Florentine drawing, even as it was copied or interpreted throughout subsequent periods in Italy. The interplay of the preparatory red chalk beneath the precise ink lines reveals the methodical drawing process favored by leading workshops.
This significant piece of Italian draftsmanship is housed in the collection of the Art Institute of Chicago, where it serves as a valuable example of workshop practices stemming from one of the most influential figures of the Italian Renaissance. As the work is generally considered within the public domain due to its age, high-quality reference prints and digital reproductions are often utilized for scholarly study of drawings from this period.