Two Putti with Lamb

"Two Putti with Lamb" is a sensitive drawing executed between 1599 and 1700, attributed to an artist working after the style of Peter Paul Rubens Flemish, 1577-1640. This work, classified as a drawing, captures the dynamic, expressive qualities characteristic of the Baroque era in Belgium.

The medium is defined by technical complexity, utilizing a combination of black chalk and graphite to establish foundational form and shadow. The artist further heightened the drawing with red chalk for added warmth and subtle definition, alongside traces of white chalk to emphasize volume on the ivory laid paper. The sheet is edge mounted on brown wove paper, preserving the delicate nature of the historical support.

The subject matter, featuring two playful putti engaging with a lamb, is rooted in the rich allegorical and religious iconography frequently explored by Rubens and his workshop. This imagery often symbolizes innocence or sacrifice, reflecting the powerful narrative potential inherent in Flemish Baroque art. The handling of the figures demonstrates an understanding of the master's robust anatomical forms and energetic compositional style.

Drawings created after Rubens were crucial tools for instruction, helping to disseminate his highly influential artistic language across Europe during the 17th century. The piece currently resides in the esteemed collection of the Art Institute of Chicago. As with many significant works reflecting this period of Antwerp-based mastery, reproductions and high-quality prints eventually enter the public domain, ensuring widespread appreciation for the artistic heritage of Belgium.