The print Two Peasants by the Italian 15th Century master, Andrea Mantegna, is a significant example of Northern Italian engraving from the late 15th century. Created between 1490 and 1499, this work is executed as an engraving on laid paper. Mantegna was a pivotal figure in Renaissance printmaking, utilizing the medium not only to reproduce his painted compositions but also to explore new figural arrangements and narrative details. This dedication to the meticulous line work inherent in the engraving process established him as a major influence on subsequent generations of incisori throughout the region.
The subject matter, featuring two common laborers, departs from the typical mythological or religious iconography often seen in Italian Renaissance art during the period 1401 to 1500. While the precise narrative context of Two Peasants is debated by scholars, the piece demonstrates Mantegna's powerful ability to render character and texture through the strict technique of line engraving. The two figures are depicted with stark realism, showcasing the artist’s interest in the expressive qualities of the human form, a key development during the Quattrocento. This specific focus on the common man, treated with a monumentality typically reserved for classical figures, offers insight into the evolving cultural perspectives of Italian art history.
This important work is classified as a print, underscoring Mantegna’s lasting legacy within the graphic arts. The image is a critical addition to the study of early Renaissance prints and the diffusion of artistic styles across Europe via reproducible media. This particular impression of Two Peasants is held in the permanent collection of the National Gallery of Art, Washington D.C., contributing to its extensive holding of Old Master prints. As a widely studied historic artwork, high-resolution digital versions of the piece are often made available through public domain initiatives, ensuring its accessibility for academic study and global appreciation.