Two Nudes is a pivotal Conté crayon drawing created by Pablo Picasso in 1906. This work, executed on paper, captures the Spanish artist during a critical transitional moment, marking his decisive shift from the pathos and sentimentality of the Rose Period toward a more radically reductive, sculptural aesthetic.
The composition features two female figures, drawn with heavy, powerful lines characteristic of Picasso's approach in this year. Utilizing Conté crayon, the artist achieves intense chiaroscuro, defining the figures not through delicate modeling but through robust, almost brutal shading that emphasizes volume and mass. The figures lack the classical proportions or expressive individualism of earlier figurative work; instead, their faces are simplified, mask-like, and their bodies rendered with an angular, blocky monumentality. This fascination with primal forms reflects the burgeoning influence of Iberian sculpture and so-called Primitivism on Picasso, propelling him toward the formal innovations that would define early Cubism.
As a significant example of draftsmanship from 1906, the drawing illustrates the foundational studies Picasso undertook as he explored new ways of representing the human figure. This focus on geometric reduction and the breakdown of traditional perspective was essential groundwork leading directly into his landmark canvas, Les Demoiselles d'Avignon.
This important study resides in the prestigious collection of the Museum of Modern Art, where it serves as a key document in the history of modern art. The piece’s influence remains vast; high-quality prints and reproductions of the work are utilized globally for academic study, offering crucial insight into Picasso’s technical process during one of the most revolutionary periods of his career.