Two Heads; Studies of Sheep [recto]

Two Heads; Studies of Sheep [recto] by Paul Gauguin is a sensitive observational drawing executed between 1884 and 1888, a highly transitional phase preceding the artist’s move toward Symbolism. This French classification drawing utilizes a dual medium of pen and brown ink combined with graphite on wove paper, illustrating Gauguin’s foundational skill in draftsmanship before his radical shifts in color and form.

The composition focuses intimately on the heads of two sheep, captured through energetic, precise lines characteristic of quick studies. The pen and brown ink lend a robustness and warmth to the contours, defining the texture of the wool and the structure of the bone. The graphite, likely employed for initial positioning or subtle shading, remains visible, suggesting this work served as a preparatory exercise or a means for Gauguin to master natural anatomy. Such intense focus on animal life demonstrates the artist’s continuing engagement with traditional subject matter, even as he was establishing the tenets of Post-Impressionism during the period spanning 1876 to 1900.

This piece offers valuable insight into the working methods of Gauguin before his definitive stylistic breakthroughs. While the final paintings often displayed flat planes of color, this drawing highlights the importance of rigorous linear study in his practice. The original drawing resides in the esteemed collection of the National Gallery of Art, contributing significantly to the understanding of late nineteenth-century European drawing traditions. Although the physical work remains unique, high-quality digital reproductions, sometimes made available through public domain initiatives, allow scholars to closely analyze these foundational prints and studies by the master artist.