Two Frigate by Claude Lorrain French, 1600-1682, is a remarkable drawing spanning the later half of the artist’s career (1641-1682). This piece exemplifies the technical mastery of graphic arts for which the French landscape painter was renowned. The composition was rendered using pen and iron gall ink, augmented by brush and brown wash, with preliminary graphite sketching visible on the buff laid paper. The original sheet has been laid down on cream laid paper for preservation.
While primarily known for his idyllic, sun-drenched pastoral landscapes, Lorrain frequently created detailed studies of maritime subjects, coastal views, and harbor scenes. Here, the subtle gradations achieved with the brown wash define the atmospheric space, focusing attention on the two large frigate vessels dominating the composition. This study of naval activity underscores the importance of the sea to 17th-century European culture. Lorrain's drawings were often meticulous records or preparatory sketches, many of which were kept in his studio archives, potentially accounting for the broad dating range associated with this specific work.
The drawing is classified among the treasures of the Art Institute of Chicago’s permanent collection, serving as an important reference point for the study of French art and drawing conventions of the period. This work is a foundational example of 17th-century draftsmanship, influencing generations of artists. Like many masterworks by Lorrain, high-resolution digital scans and prints are often made available through museum initiatives, promoting broader access to the public domain for educational and scholarly appreciation.