Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto]

Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto] by Paul Gauguin is a significant drawing created between 1884 and 1888, executed in a complex mixed media combination of graphite, crayon, and pen and brown ink on wove paper. This composite sheet provides crucial insight into Gauguin's working method during this pivotal period, marking his transition away from Impressionism and toward his definitive Post-Impressionist style.

The recto side is dominated by multiple, disparate studies, a practice typical of an artist experimenting simultaneously with large figural compositions and precise anatomical details. The primary sketch centers on two figures seated by a bench, suggesting a preliminary conceptualization for a larger genre or narrative scene that Gauguin was developing. The use of graphite provides the initial soft delineation, while the stronger application of pen and brown ink defines contours and shadows, indicating a layered approach to the drawing.

Surrounding the main composition are smaller, intensely scrutinized elements. Gauguin includes three examinations of men's heads, exploring varied facial structures and potential expressions for his intended subjects. A separate, precise study of a hand further demonstrates the French artist’s dedication to mastering preparatory figure work, essential for the emotive figures characteristic of his later paintings.

Dating to the transformative 1876 to 1900 period, this piece exemplifies the kind of rigorous preparation Gauguin undertook as he developed the visual vocabulary of Synthetism. This powerful example of French drawing is held within the esteemed collection of the National Gallery of Art, providing scholars access to Gauguin’s technical process and evolution. Recognizing the historical significance of such works, resources including high-quality prints and related documentation are often made available through museum and public domain initiatives, ensuring the accessibility of this crucial stage in Gauguin's career.