Two Dancers, Half-length is an influential drawing by Edgar Degas, created during the expansive period between 1854 and 1917. This work exemplifies the artist's lifelong obsession with the world of the Parisian Opéra and his innovative approach to depicting the women who performed there. Unlike many of his contemporaries, Degas sought to capture dancers not in idealized performance, but in candid, sometimes exhausted, moments of rehearsal, preparation, or rest.
The piece is complexly rendered in pastel and charcoal on tracing paper, a material structure that includes a visibly joined strip, demonstrating Degas’s experimental use of mixed media and layered compositions. The resulting sheet was later laid down onto cardboard for stability. The combination of charcoal allows for strong, definitive lines emphasizing structure and movement, while the pastel provides the delicate colors and atmospheric textures for which Degas is widely celebrated. This half-length composition focuses intensely on the two figures, emphasizing the intimacy and proximity of their interaction.
This drawing is classified formally as a study, highlighting the observational nature of the work which informed many of the painter’s later, larger canvas compositions. Degas’s repeated study of these subjects firmly established his reputation as the preeminent chronicler of the ballet world and the professional life of its female performers. Today, this essential piece of modern art resides in the permanent collection of the Metropolitan Museum of Art, New York. Given the historical breadth and age of this masterwork, high-quality prints and archival versions are frequently made available through public domain art initiatives, furthering access to Degas's vital studies of the human form.