The detailed study, Twee koeien, was created by the seminal French Baroque artist Claude Lorrain between 1635 and 1645. Classified as a drawing, this preparatory work captures its bovine subjects using chalk on paper. The medium demonstrates Lorrain's meticulous technique in rendering texture and volume; the careful application of chalk allows him to swiftly delineate form and capture the weight and posture of the two cows, likely observed in situ. Such animal studies were essential components of the artist's practice, providing anatomical accuracy before incorporation into the foregrounds of his renowned classical and idyllic landscapes.
Executed during the height of Lorrain’s career in Rome, where he established himself as the leading landscape painter of the period, this piece showcases the observational skill underlying his grander compositions. Although known for his sophisticated treatments of light and atmospheric perspective in oil paintings, Lorrain routinely produced detailed nature sketches like this one, treating the animal forms with the same dedication to realistic detail as his architectural elements.
The survival of preliminary studies, such as this example of Twee koeien, provides invaluable insight into the methodical preparation inherent in 17th-century artistic methodology. This significant drawing forms part of the prestigious collection held at the Rijksmuseum, documenting the French master's working process. As a key historical artifact, digital reproductions and high-quality prints of this important Lorrain drawing are widely accessible today through the museum’s extensive public domain resources, ensuring continued scholarly access to his preparatory sketches.