Trucks [recto] is a preparatory drawing executed by John Singer Sargent in 1918. This work, classified as a Drawing, utilizes graphite applied to wove paper, medium often favored by Sargent for capturing rapid, observational studies during his later career. The subject matter reflects the artist’s interest in documenting utilitarian objects and infrastructure, a theme increasingly prominent as his focus shifted away from formal portraiture and toward reportorial documentation. The meticulous application of graphite demonstrates Sargent's enduring skill in capturing volume and perspective, even in a quick study. The composition focuses on the heavy chassis and structure of the vehicles, using varying line weights to differentiate between the metallic mass and the surrounding atmosphere.
Created during the latter stages of World War I, the piece falls within the American artistic period spanning 1901 to 1925. While renowned for his high-society paintings, Sargent accepted commissions as a war artist, frequently documenting the logistical machinery necessary for modern conflict. Drawings like this capture the unromantic but vital role of technology in the early 20th century. The designation Trucks [recto] indicates that this image is the primary drawing on the front side of the sheet, often suggesting the presence of an additional, related sketch on the verso, typical of rapid note-taking in the field.
As a significant example of Sargent’s technical versatility and his involvement with contemporary events, the drawing resides in the permanent collection of the National Gallery of Art. The work offers valuable insight into the functional and industrial themes explored by American artists during this tumultuous period. Recognizing its historical and educational value, high-resolution prints of the work are frequently made available through public domain initiatives associated with the museum collection, ensuring accessibility for scholarly examination and widespread appreciation.