"Triumphs of Julius Caesar: Canvas No. VI," by an artist working After Andrea Mantegna Italian, 1431-1506, is a sophisticated eighteenth-century drawing replicating a section of Mantegna’s celebrated Renaissance series. Created centuries after the original nine canvases, which detailed Julius Caesar’s triumphal procession through Rome, this work exemplifies the enduring reverence for Mantegna's classical compositions across Italy. The original series, now widely known and accessible, often serves as a foundational reference point in art historical prints and studies.
The technique employed here is meticulous, combining pen and brown ink with the broad application of brush and gray wash. The artist used cream laid paper that was specially prepared with a yellow wash to create a warm ground for the composition. The careful application of lead white, which has subsequently oxidized, heightens the details of key figures and objects, giving the drawing depth and contrast characteristic of high-quality reproductive studies intended for print dissemination. The piece successfully conveys the monumental scale and narrative complexity of the Renaissance master’s canvas.
Reproductive drawings of masterworks were essential tools in 18th-century culture, allowing artists, students, and connoisseurs to study, copy, and disseminate the monumental achievements of earlier periods. This specific composition depicts the long train of military spoils and numerous attendants participating in the elaborate Roman triumph. This historically significant drawing is classified within the permanent collection of the Art Institute of Chicago.