The drawing Triumphs of Julius Caesar: Canvas No. I is an 18th-century copy (1700-1799) created after the celebrated Renaissance master Andrea Mantegna Italian, 1431-1506. This piece replicates the first canvas of Mantegna’s seminal nine-painting series, originally executed around 1484-1492 for the Gonzaga court in Mantua, Italy. The original sequence illustrates the triumphal procession of Julius Caesar after his decisive military victories, a theme of classicism and historical grandeur that captivated artists and patrons across centuries.
This specific drawing employs a sophisticated technique common for detailed studies of the period. It utilizes pen and brown ink, masterfully combined with brush and gray wash to define form and shadow. The paper itself is notable: a cream laid sheet that has been pieced together and prepared with a yellow wash, likely intended to mimic the patina or color scheme of the original Renaissance canvas. The artist enhanced specific passages through the application of lead white pigment, heightening areas for dramatic contrast; however, this material has since oxidized, changing the overall tonal quality of the work.
The widespread fame of Mantegna's Triumphs of Julius Caesar series meant that such copies and detailed studies were essential in disseminating the imagery throughout Europe during the 18th and 19th centuries. The enduring influence of the early Renaissance period in Italy is clearly evident in the fidelity of this 18th-century interpretation. Today, the composition is easily accessible, with high-quality prints and photographs often made available through public domain collections. This significant drawing is currently housed in the permanent collection of the Art Institute of Chicago, offering scholars and visitors a crucial look at how the masterworks of Mantegna were studied and preserved by later generations.