Three Peasants in Conversation (reverse copy) by Albrecht Dürer, print, 1485-1761

Three Peasants in Conversation (reverse copy)

Albrecht Dürer

Year
1485-1761
Medium
Engraving
Dimensions
Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm)
Museum
Metropolitan Museum of Art

About This Artwork

Three Peasants in Conversation (reverse copy) by Albrecht Dürer is a significant engraving featured in the collection of the Metropolitan Museum of Art. Though renowned artist Albrecht Dürer (1471-1528) revolutionized the production of prints around the turn of the sixteenth century, this specific iteration, a reverse copy of an original Dürer design, is dated broadly between 1485 and 1761. The designation "reverse copy" indicates that a subsequent printmaker reproduced the design directly from an existing print, resulting in a mirrored image compared to Dürer's original plate.

This work captures a moment among three men engaged in animated discussion. The subject matter falls within the tradition of depicting common or lower-class life, a motif often explored in Northern European prints. Compositionally, two figures stand in the foreground, dominating the frame, while the third figure is partially visible behind them. Notably, the Three Peasants in Conversation depicts the men carrying swords, suggesting they are perhaps traveling soldiers, mercenaries, or armed wayfarers rather than simple agricultural laborers.

The technique of line engraving showcases the detailed draftsmanship typical of the German Renaissance graphic arts. Dürer’s influence on the medium was profound, setting high standards for print quality across Europe. Although this piece is not an original strike pulled from the master's own copper plate, its existence testifies to the pervasive popularity and influence of Dürer’s designs on succeeding generations of printmakers who sought to reproduce his successful works. The museum preserves this example of graphic reproduction, offering valuable insight into the commercial and artistic circulation of master prints during the period. As many such early prints are now widely available as public domain resources, they remain critical objects of study.

Cultural & Historical Context

Classification
Print

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