Three Figure Studies (One nude, two in drapery, seen from behind)

Three Figure Studies (One nude, two in drapery, seen from behind) by Eugène Delacroix is a foundational graphite drawing that provides deep insight into the working methods of the eminent French Romantic artist. Dating from the expansive period between 1815 and 1868, this drawing served as an academic or preparatory exercise, essential training for mastering the human form before undertaking large-scale oil compositions. The medium of graphite allowed for both precision and rapid execution, capturing the essence of the poses with focused attention.

The composition centers on three standing figures viewed from the rear. The figure positioned centrally is rendered nude, enabling Delacroix to precisely map musculature and bone structure. This anatomical study contrasts sharply with the flanking figures, which are heavily draped. The inclusion of voluminous fabric allowed the artist to practice rendering complex folds, light reflectance, and the illusion of depth-a critical skill necessary for his grand historical and literary narrative paintings.

Delacroix, renowned for introducing dynamism and expressive color into 19th-century art, consistently grounded his bold compositions in rigorous draftsmanship, as demonstrated by this piece. The classification of the work as a drawing emphasizes its role as an intellectual and visual reference tool. This significant study is permanently housed within the extensive collection of European drawings at the Metropolitan Museum of Art. As the original graphite drawing is now in the public domain, high-quality prints and reproductions of the work are widely accessible for researchers and collectors seeking examples of Delacroix’s early academic mastery.